MM 1969

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“Which Way You Goin’ Billy?” is a song by the Canadian band the Poppy Family. First released as a single in 1969, it features on the album of the same name (1969) and was a chart-topping hit in Canada and Ireland. It was also a significant hit in other parts of the world, reaching number two on both the US Cash Box and Billboard pop charts.

The song was written by Terry Jacks and the lead vocal is performed by his wife Susan Jacks. The singer asks her husband Billy where he’s going, knowing that he is leaving her. She pledges she’ll still love him and stay his wife.

The single’s B-side is a cover of Jody Reynolds‘ 1958 hit “Endless Sleep” and is sung by Terry Jacks.

MM – 1970

Bridge Over Troubled Water is the fifth and final studio album by American folk rock duo Simon & Garfunkel. The album was released on January 26, 1970, through Columbia Records. Following the duo’s soundtrack for The GraduateArt Garfunkel took an acting role in the film Catch-22, while Paul Simon worked on the songs, writing all tracks except Felice and Boudleaux Bryant‘s “Bye Bye Love” (previously a hit for the Everly Brothers).

Simon & Garfunkel were already successful in the music industry. Their Parsley, Sage, Rosemary and Thyme, the soundtrack album for Mike Nichols‘ film The Graduate and Bookends peaked at number four, one, and one in the US Billboard 200, respectively, with the former selling 3 million copies and the latter two selling 2 million copies each in the United States.  Art Garfunkel took the role of Captain Nately in another Nichols film, Catch-22, based on the novel of the same name. Initially Paul Simon was to play the character of Dunbar, but screenwriter Buck Henry felt the film was already crowded with characters and subsequently wrote Simon’s part out.  The unexpectedly long film production endangered the relationship between the duo;  Garfunkel later stated in a 1990 interview with Paul Zollo in SongTalk magazine: “Our way of working was for Paul to write while we recorded. So we’d be in the studio for the better part of two months working on the three or four songs that Paul had written, recording them, and when they were done, we’d knock off for a couple of months while Paul was working on the next group of three or four songs. Then we’d book time and be in the studio again for three or four months, recording those . . . . Rather than wait for Paul to write the next bunch of songs, I went off and did this movie.

MM – 1967

“A Whiter Shade of Pale” is a song by the English rock band Procol Harum that was issued as their debut single on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks.   Without much promotion, it reached number 5 on the US Billboard Hot 100.   One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide.   In the years since, “A Whiter Shade of Pale” has become an enduring classic, with more than 1,000 known cover versions by other artists.

MM – 1983

Jackson said that “Billie Jean” was based on groupies he and his brothers encountered while they performed as the Jackson 5.  “They would hang around backstage doors, and any band that would come to town they would have a relationship with, and I think I wrote this out of experience  with my brothers when I was little. There were a lot of Billie Jeans out there. Every girl claimed that their son was related to one of my brothers.”

According to Jackson’s biographer J. Randy Taraborrelli, “Billie Jean” was inspired by letters Jackson received in 1981 from a woman claiming he was the father of one of her twins.  Jackson, who regularly received letters of this kind, had never met the woman and ignored those claims. However, she continued to send letters stating that she loved him and wanted to be with him, asking how he could ignore “his own flesh and blood”. The letters disturbed him so much that he began to suffer nightmares.

Eventually, Jackson received a parcel containing a photograph of the fan, a gun, and a letter instructing him to die at a particular time. The fan would do the same once she had killed “their” baby, so they could be together in the “next life”. The Jacksons later discovered that the fan had been sent to a psychiatric hospital.

MM – 1969

As one of the most famous protest songs of the Vietnam War era, “Fortunate Son” revives this timeless message with the snarl and swagger of the 1960s righteous rock and roll.

As John Fogerty put it:

Julie Nixon was hanging around with David Eisenhower, and you just had the feeling that none of these people were going to be involved with the war. In 1968, the majority of the country thought morale was great among the troops, and eighty percent of them were in favor of the war. But to some of us who were watching closely, we just knew we were headed for trouble.

As explained by John Fogerty, this song is the birthchild in a time of extreme distrust for executive authority. John describes the callousness of then president Richard Nixon and his arrogance towards young people. I have included this short video through which John Fogerty summarizes the reasons for this song’s creation.

MM- 1868

“Away in a Manger” is a beloved Christmas carol with a mysterious American origin, falsely attributed for years to Martin Luther, but research shows it emerged in the U.S. in the mid-1800s, possibly by a German Lutheran in Pennsylvania, with its first two stanzas appearing in American songbooks before gaining popularity, and a third stanza added later by Charles H. Gabriel. Its two most common tunes were composed by James Ramsey Murray (1887) and William J. Kirkpatrick (1895). 

MM – 1816

I went to a private school as a child. It was small…the year I graduated there were only 54 students in the entire school…2 in my graduating class…myself, and Tommy Hicks.

The 4th, 5th, 6th, 7th and 8th grades were all in the same classroom.

It was the homeroom of Mrs. Hopewell, our math teacher (we always called her the H-Bomb). She was a massive woman…not fat, mind you, but, tall…towering…big boned…almost masculine…and, good grief, was she intimidating! I don’t think there was a person in school who wasn’t terrified of her, and that included the teachers.

I can’t think back on those years without smiling every time I think about her…she loved Christmas….and she loved the song, Silent Night.

She would have us sing it at the end of the school day during the holidays. We would sing the first stanza, and then we would hum the next. She openly wept. It always amazed me that this giant, ‘hard’, feared woman would become mush at the sound of all those innocent voices…the gentle humming of that wonderful song. It, actually, brings a tear to my eye as I think about it now…

The origin of the Christmas carol we know as Silent Night was a poem that was written in 1816 by an Austrian priest called Joseph Mohr.

Throughout the world, “Silent Night”, which has been translated into more than 200 languages, is an anchor for Christmas celebrations. Its lullaby-like melody and simple message of heavenly peace can be heard from small town street corners in mid-America to magnificent cathedrals in Europe and from outdoor candlelight concerts in Australia to palm thatched huts in northern Peru.

The song was sung simultaneously in English and German by troops during the Christmas truce of 1914, as it was one of the few carols that soldiers on both sides of the front line knew. The event is depicted in the 1997 Garth Brooks song “Belleau Wood”.

“Belleau Wood”

Oh, the snowflakes fell in silence

Over Belleau Wood that night

For a Christmas truce had been declared

By both sides of the fight

As we lay there in our trenches

The silence broke in two

By a German soldier singing

A song that we all knew

Though I did not know the language

The song was “Silent Night”

Then I heard my buddy whisper,

“All is calm and all is bright”

Then the fear and doubt surrounded me

‘Cause I’d die if I was wrong

But I stood up in my trench

And I began to sing along

Then across the frozen battlefield

Another’s voice joined in

Until one by one each man became

A singer of the hymn

Then I thought that I was dreaming

For right there in my sight

Stood the German soldier

‘Neath the falling flakes of white

And he raised his hand and smiled at me

As if he seemed to say

Here’s hoping we both live

To see us find a better way

Then the devil’s clock struck midnight

And the skies lit up again

And the battlefield where heaven stood

Was blown to hell again

But for just one fleeting moment

The answer seemed so clear

Heaven’s not beyond the clouds

It’s just beyond the fear

No, heaven’s not beyond the clouds

It’s for us to find it here

Silent Night is the most famous Christmas carol of all time, and it happens to be my all time favorite.

Please remember to pray for our troops, and their loved ones, this Holiday season, and throughout the year…May they all come home soon.